In 1950 the Ivanhoes were a stable family living in the oil town of Bakersfield, California. An oil geologist father with a secure job at Standard Oil and a wide circle of friends. Then calamity struck! Their teenage son was sent to Juvenile Hall for stealing. Overcome by shame, unable to face their friends, the family moved. From job to job, from country to country, uncertainty and frugality ruled their lives for decades. An arrest in Moscow by the KGB. In Poland, a fight for restitution of a stolen suitcase. Such events colored their travels. When the gypsy wonderers finally decided to retum to California, the author, with little money and no hotel reservations but lots of moxie, travels alone to Tehran, Bangkok, Manila, Hong Kong, Tokyo and Vancouver. "Rocks in Her Head" is an unembellished personal story told with humor, sincerity and candor as the author describes her dynamic life of travel and determination in diverse lands. "What a trip! You'll love every page, every mile Helen Smart takes you in her charming and yes, very wise true story remaking her family's lives" Laird Koenig
The newest title in the Drawing Made Easy series pairs the lively, vibrant strokes of colored pencil with a stunning array of botanicals. From garden and tropical flower portraits to gorgeous floral still lifes, there is a project to suit every flower lover. Inside, accomplished artist Cynthia Knox teaches her method of developing a colored pencil drawing through simple step-by-step demonstrations, with helpful tips and tricks sprinkled throughout. She also discusses basic flower shapes, anatomy, photographing references, and setting up dynamic still lifes.
Inscribed Minoan stone vessels are ritual gifts that index their dedicants' intention that both their gift and their name should survive permanently at the place of dedication. These vessels contained offerings, yet the vessels themselves were also offerings, serving as permanent records of a ritual act. These rituals were most likely communal, incorporating group feasting and drinking. The seasonality of these rituals suggests that they were focused on the cycle of life: fertility, birth, death and renewal. Offerings left with the vessels suggest that these rituals also addressed other, more personal concerns. As for Linear A itself: the language behind the script appears to contain a fairly standard phonemic inventory, though there are hints of additional, more exotic phonemes. The morphology of the language appears to involve affixation, a typical mode of inflection in human languages. The presence of significant prefixing tends to rule out PIE as a parent language, while the word-internal vowel alternations typical of Afroasiatic verbal inflection are nowhere to be found in this script. In the end, Linear A appears most likely to represent a non-IE, non-Afroasiatic language, perhaps with agglutinative tendencies, and perhaps with VSO word order.
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